When Lines are Time is the exhibition program for the 2015-2016 season at the Fundació Joan Miró’s Espai 13. This transversal project curated by Martí Manen reflects on aspects related to temporality and production in artistic practices.
The paintings of Alfons Borrell (Barcelona, 1931) have gradually developed as an expressive body of work of great intensity and solidity. Alfons Borrell.
Joaquim Gomis (1902-1911) was the first president of the Fundació Joan Miró and a good friend of Joan Miró. As such, he was able to follow the construction of Sert’s building up close.
Prophetia comprises works by twenty-five artists who have followed and addressed the formation of the European Community. The point of departure for the exhibition is a video by the Albanian artist Anri Sala, dating from 2002, that portrays the moment when the dream of Europe was still intact in some of the countries aspiring to enter the European Union.
Since the nineties, Frederic Montornés has alternated his activity as art critic and curator -which leads him to set up an intense dialogue with the artists- with the intuitive need to fix what his gaze alights on with a digital camera.
During the First World War, Barcelona entered fully into modernity. While Europe was at war, some Catalan artists began the journey to the forefront of the avant-garde (Miró, Togores, Manolo Hugué.
Si seguim, segur que riurem (If we go on, we’ll surely laugh) is a collection of photographs of Tortell Poltrona, the Catalan clown who founded the NGO Clowns Without Borders.
Lesson 0 is a series of exhibitions in the Espai 13 at the Fundació Joan Miró in charge of Azotea (Ane Agirre & Juan Canela)
In 2013 Roni Horn (New York, 1955) won the fourth edition of the Joan Miró Prize, which has been awarded everty two years since 2007.
about "Roni Horn. Everything was sleeping as if the universe were a mistake"
Fundació Joan Miró presents Mercè 1969, a small exhibition of photographs taken by Joaquim Gomis of Barcelona’s main annual festival
The photographic œuvre of Kathrin Golda Pongratz is closely linked to her work as an architect and urban planner.
EULÀLIA VALLDOSERA ECONOMY OF DIVINE CHANCE The Christmas carol emerges from a process of reinvestment of the production costs of a work of art, starting from the purchase and reinstallation of objects just as they have been presented in the illegal stalls which the poorest people set up on the fringes of legal markets as a way of surviving.
